/ Landscape Paintings
Depth built from tonal recession, not colour.
Each canvas begins with what the light actually does to the ground plane. Saturation is a last resort; tonal structure carries the distance.
Recent Work
Exterior studies, intimate to large canvas.
Works span small plein-air panels to studio-resolved canvases. Full-resolution reproductions here; contact for dimensions, surface detail, and availability.
— Tonal structure
Distance is a tonal problem, not a colour one.
Atmospheric depth is hand-mixed from value shifts — lead white into raw umber, bone black kept off the sky. Colour saturation follows; it never leads.
Studio sessions resolve what the field study recorded: which tonal steps hold at viewing distance, which collapse. The canvas earns its recession before any detail is added.
Studio visits by appointment. Works available direct.
Collectors reviewing a specific work can request dimensions, surface photography, and condition details before committing.